The hit Pakistani drama Mann Mast Malang, featuring popular actor Danish Taimoor and newcomer Sahar Hashmi, has recently stirred a storm on social media following the airing of a highly controversial romantic scene. While the serial continues to captivate audiences across Pakistan, India, Bangladesh, Nepal, and other countries, its latest episode has sparked a wave of criticism, with viewers questioning the direction of content in mainstream Pakistani television.
Written by Tere Bin writer Nooran Makhdoom and directed by Ali Faizan, Mann Mast Malang revolves around the lives of Kabir Khan (Danish Taimoor) and Riya Asghar Ali (Sahar Hashmi), entangled in a family feud triggered by a tragic incident.
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The story had initially gained popularity for its emotional narrative and star power. However, a recent episode took an unexpected turn when Kabir forcefully grabs Riya and dances with her in a manner that many viewers described as “overly romantic,” “inappropriate,” and “offensive.”
Social media quickly erupted with divided opinions. While some fans came to Taimoor’s defense, praising his acting and the drama’s reach, others were appalled by what they viewed as an unnecessary and distasteful display.
One viewer lamented, “It’s quite sad to see that Pakistani dramas, once celebrated for their subtle romance, are now borrowing indecency from Indian content.” Another commented, “Harassment is being normalized in Pakistani dramas,” highlighting concerns over the portrayal of such acts as romantic.
Danish Taimoor, known for maintaining a composed and respectful public image, also came under fire, with fans referencing his earlier viral remarks from the Filhal music video. Critics questioned the inconsistency between his public persona and the scenes he now performs.
Some viewers voiced deeper concerns about the societal impact of such content, with one user stating, “These vulgar dramas have destroyed the innocent minds of people.” Another urged the media industry to reflect on the consequences of its content, saying, “Pakistani drama makers should uphold our values, not compromise them for views.”
The backlash has triggered broader discussions about censorship, creative responsibility, and the evolving nature of Pakistani entertainment. Fans are now calling on producers, writers, and directors to be more considerate in portraying intimacy and to stay true to the cultural and moral standards that have long defined the success of Pakistani dramas.
As Mann Mast Malang continues to air, it remains to be seen whether the production team will address the criticism or double down on the current storyline. One thing is certain: the public is watching closely—and they have plenty to say.
