Nayab appeared promising on paper, featuring a young woman in conflict with her middle-class family, a lofty pipe dreams for national glory, rebellion as a path to empowerment, and a budding romance. The anticipation for a compelling female-led narrative was high. However, the actual experience of Nayab’s story, much like its protagonist’s journey, unfolds slowly, stumbling and taking time to find its footing. Despite the initial excitement, the film’s dramatic pace leaves the audience eager, even desperate, for a climax that takes its time to materialize.

The film’s runtime, a staggering two-and-a-half hours, feels unjustified as the plot unfolds. Nayab begins with a gritty shoot-out in Karachi, only to address it much later after the intermission, leading to a disappointing payoff. The film’s exploration of Nayab’s journey to becoming a cricket player lacks proper establishment, with a focus on familial issues overshadowing her character development.

Also Read: Ayushmann Khurrana Sparks Controversy with ‘Dil Dil Pakistan’ Performance

Family conflicts are set up as essential elements, particularly the struggles of Nayab’s brother, Akber. However, the film’s emphasis on Akber’s story in the first half leaves Nayab’s journey in the background. The themes of women empowerment and rebellion are present but explored in a half-baked manner, with prolonged sequences that add little to the protagonist’s journey.

The male love interest, Zain, played by Usama Khan, appears redundant, with the film functioning well without his character. Yumna as Nayab delivers a compelling performance, displaying versatility in her portrayal. The chemistry between Nayab and Akber, portrayed by Fawad Khan, is a highlight, with their sibling dynamic adding depth to the narrative.

Despite limited screen time, Adnan Siddiqui is a welcome addition, delivering impactful speeches without sounding preachy. The city of Karachi serves as an additional character, influencing the unfolding events and impacting various characters in irreversible ways.

As the film approaches its conclusion, the anticipation for Nayab’s confrontation with India builds, but the payoff is weak and rushed. The film’s triumphant and predictable conclusion leaves a sense of gratitude, accompanied by a wish for a better-constructed journey, perhaps influenced by the uneven streets of Karachi.