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Why did Naseeruddin Shah Stopped Watching Hindi Films?

Why did Naseeruddin Shah Stopped Watching Hindi Films?

Renowned veteran actor Naseeruddin Shah recently conveyed his disappointment with the state of Hindi cinema, expressing concerns over its lack of substance. Speaking to PTI, Shah, known for his impactful performances, shared his views during an event where he emphasized the necessity for a shift in the industry’s filmmaking approach.

Despite celebrating the centennial milestone of Hindi cinema, Shah lamented that the industry appears to be trapped in a repetitive cycle. The 73-year-old actor admitted, “It really disappoints me. I have stopped watching Hindi films; I don’t like them at all.” He criticized the dearth of innovation and diversity in storytelling, observing that filmmakers seem to be producing formulaic movies.

Shah highlighted that Hindi films enjoy global popularity due to the connection that Indians abroad feel with their roots and homeland. However, he expressed apprehension that if the industry doesn’t introduce substantive changes, audiences both in India and internationally will tire of the repetitive content.

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Drawing a comparison between Hindi films and Hindustani food, Shah stressed the need for substance in cinema. He remarked, “Hindustani food is loved everywhere because it has substance. What substance do Hindi films have? Yes, they are being watched everywhere. They say, ‘How exotic, how Indian, how colourful.’ Soon they will be bored of it because there is no substance.”

Despite his reservations, Shah acknowledged a glimmer of hope if filmmakers prioritize quality over financial gains. However, he remained skeptical about the feasibility of such a transformation, noting, “Because the films that are being watched by thousands will keep being produced and people will keep watching them, God knows till when.”

Encouraging filmmakers interested in creating meaningful cinema, Shah emphasized the importance of depicting contemporary realities responsibly. He urged them to address today’s issues without fear of backlash or legal repercussions, stating, “So those who want to make serious films, it’s their responsibility to show today’s reality and in such a way that they don’t get a fatwa or ED doesn’t come knocking on their doors.”

Shah’s candid remarks have sparked discussions about the need for innovation, substance, and a more conscientious approach to storytelling in the Hindi film industry. As audience preferences evolve, the industry may need to reevaluate its content creation strategies to maintain its global appeal.

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