ARY Digital’s drama Hey Fam has gained attention for featuring a 10-minute single-take scene. The sequence was filmed without cuts or edits.

The scene has been described as Pakistan’s longest 10-minute single-take sequence. It has also drawn praise from film producer Abdullah Seja.

Seja shared his views on social media and praised director Zeshan Ansari. He highlighted the technical effort required to complete such a lengthy scene.

According to Seja, the sequence was filmed in one continuous take. The scene was not created by joining several separate shots.

He said there was plenty to appreciate about the execution of the scene. Such sequences can be difficult to produce for television.

Single-take scenes require actors and crew members to maintain precise timing. Camera movements, performances and dialogue must also remain coordinated throughout the shot.

Seja noted that lengthy single-take sequences are not commonly attempted in the Pakistani television industry. Keeping viewers engaged without regular cuts can be challenging.

The producer also referred to the drama’s ratings while discussing its appeal. He said the figures suggest younger audiences are engaging with local television content.

According to Seja, younger viewers are responding to newer storytelling methods. He also stressed that simply describing a drama as being made for Gen Z is not enough.

He argued that fresh creative talent is also needed to create content for younger audiences.

The drama focuses on modern themes linked to social media and digital culture. It explores viral fame, online personas and their impact on young people.

Hey Fam is produced by iDream Entertainment. The drama features Zaviyar Nauman Ejaz, Zarrar Khan and Dua Zahra in key roles.

The drama is written by Awais Ahmad Joyia. It airs on ARY Digital and ARY Plus every Wednesday and Thursday.

The show is scheduled to air at 8pm on both days. Its focus on social media also reflects changing themes in Pakistan’s television industry.

The single-take sequence has added another talking point around the drama. Its execution demonstrates the coordination required for extended scenes without conventional editing.

The attention around the scene may also encourage more experimentation in Pakistan’s television productions. However, the sequence remains part of the drama’s broader storytelling approach.

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With its focus on younger audiences and digital culture, Hey Fam continues to attract discussion. The 10-minute scene has further increased attention around the ARY Digital production.