Pakistani AI filmmaker Zahid Iqbal has gained attention with his short film The Mother’s Monster. The 28-minute film was created using artificial intelligence.
Iqbal, who is from Layyah, has attracted significant attention on social media through the project. The film has reportedly reached more than 50 million views on YouTube.
The reported view count has helped The Mother’s Monster gain wider visibility online. The film has also contributed to growing interest in AI-generated filmmaking in Pakistan.
According to the provided information, Iqbal’s YouTube channel has also crossed 100,000 subscribers. The milestone reflects the growing audience around his digital filmmaking work.
The film is notable for its use of artificial intelligence in the production process. AI tools are increasingly being used to create visual content, short films and other forms of digital media.
The Mother’s Monster has become an example of how independent creators can use emerging technology. Such tools can allow filmmakers to experiment with storytelling outside traditional production methods.
Social media has played an important role in the film’s growing reach. Users have shared and discussed the project across online platforms.
Claims about the film’s financial performance are also circulating online. Some social media posts claim that the project has generated around PKR 50 million in earnings.
However, these reported earnings have not been independently verified. Therefore, the claimed amount should not be treated as confirmed revenue.
The reported 50 million views and 100,000 subscribers provide measurable indicators of the project’s online reach. They do not, by themselves, confirm the film’s earnings.
The attention around The Mother’s Monster also highlights the expanding use of AI in creative industries. Independent creators can now access tools that were previously difficult or expensive to use.
AI-generated filmmaking remains a developing area within the wider digital entertainment industry. Creators are experimenting with different technologies to produce stories and visual projects.
Iqbal’s work has drawn attention because of the reported scale of its online audience. The project also demonstrates the potential reach of independently produced digital content.
The film’s reported success has sparked discussion about AI filmmaking in Pakistan. It has also brought attention to creators working outside the country’s traditional film industry.
At present, the available information confirms the film’s reported online milestones. Claims regarding its earnings remain unverified.
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As The Mother’s Monster continues to circulate online, its viewership may attract further interest. The project has already become a notable example of AI-assisted independent filmmaking in Pakistan.
