KARACHI: The recently released film “Babylicious” has left audiences with mixed feelings. In an interview, Syra Yousuf and Shahroz Sabzwari described it as a family-friendly “date film,” but the contradictory nature of the movie becomes apparent upon viewing.
At its core, “Babylicious” is a romantic love story with ambitious aspirations. While some shots and editing choices suggest potential, the film’s runtime could have been shorter. Shahroz’s portrayal of Umer initially feels forced, but as the story progresses, his character becomes more relatable. Through Umer’s perspective, viewers witness his passionate pursuit of the practical-minded Sabiha, flawlessly portrayed by Syra. However, one can’t help but wish the film had offered more depth to her character.
Spoiler alert! The opening moments of the film show Syra and Shahroz’s characters making promises of eternal love, adding a surreal layer of meta-awareness for the audience seated alongside the real-life couple. This creates an uncomfortable viewing experience.
Nevertheless, “Babylicious” offers more than just nostalgia. The camaraderie between Nido (Mohi Abro), Aadi (Aadi Adeal Amjad), and Umer stands out as a highlight. This entertaining trio engages in amusing antics that elicited laughter during the premiere. Aadi’s portrayal of a sleazy character is complemented by his impeccable comedic timing, while Mohi’s Nido brings humor through his encounters with Aadi and his girlfriend, Annie (Sabeena Syed).
The trio’s dynamic also shines in their interactions with Shehzeen Rahat, who plays Arwa, and her on-screen mother. These scenes provide many laugh-out-loud moments.
Ankur Rathee’s empathetic fiancé character seems to pay homage to Salman Khan in “Kuch Kuch Hota Hai.” His practicality makes him the suitable choice for Sabiha, who craves stability after her father’s abandonment. However, Sabiha ultimately longs for magic, which she finds in Umer’s hands. Salman ‘Mani’ Saqib adds a humorous touch to the film, portraying a character always seeking quick financial gains.
The film’s climax incorporates elements of divine intervention for Umer, leading to a showdown with the forces opposing his love. Some may find this cheesy or unnecessary. However, Mani’s line, “Boss maine aap ko bola kya hai” (Boss, what have I said to you?), pays unexpectedly funny homage to one of the film’s producers, Waqar Zaka, and a famous video associated with him.
While “Babylicious” has its moments of absurdity, such as a scene involving the trio’s encounter with a sex worker, it also tackles sensitive subjects. The portrayal of these situations is unclear and may leave the audience puzzled. Umer’s problematic actions, including leaking intimate details and resorting to emotional blackmail, make it challenging to fully support his character. Nevertheless, his flaws contribute to a sense of realism, as many can relate to knowing someone like Umer.
In essence, “Babylicious” is a complex viewing experience. Certain elements may seem absurd, clichéd, or controversial, yet glimpses of relatability make the audience pause and reflect on their emotional responses. This alone can be considered a significant achievement for the film.
Watching “Babylicious” takes on a different dimension for those familiar with Syra and Shahroz’s personal history. It becomes an introspective journey, blurring the lines between the on-screen characters and the real-life actors.
